The confusing story of Blue Velvet explained
How David Lynch explores the horrors and wonders of nostalgia
Colossus Archive
Page 9 of 12
Warner Bros
Exploring why Lights Out was more popular than The Babadook and why the two are siblings
MGM and Warner Bros
Explaining the thematic development and goodness of Creed by using examples from T.S. Eliot, Jay-Z, Kendrick Lamar, Fight Club, The Untouchables, and Battleship Potemkin
Allstar/Lionsgate
Explaining the end of The Big Sick
Why Kumail Nanjiani's film shares some similarities with The Graduate
Samuel Goldwyn Films
How Vintage Tomorrows defamiliarizes sci-fi fan culture
Universal
Explaining the ghost metaphor in Crimson Peak and why it’s sort of lackluster
Featuring: Are You Afraid of the Dark, The Grudge, and Pan's Labyrinth.
20th Century Fox
The Martian and why Mark Watney’s lack of love interest is the best thing for science. Also: Neil deGrasse Tyson.
Lionsgate
What does the title mean in Allegiant?
How Tris's journey has shaped the titles for each film in the Divergent series
Warner Bros
Shin Godzilla and 2014’s Godzilla, major differences and the expectations for a Godzilla movie
Miramax
The case for each “father” in Bridget Jones’s Baby
Is it Mark? Is it Jack? Does it even matter?
