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Apparently there’s some confusion about the ending of Clayface, specifically about whether Caitlyn is really there or not. No, she’s not. The movie initially shows her only in a medium close-up, so we think she’s there, but it cuts to a wide shot that reveals she’s nothing more than a simulacrum created by Matt through the “clay” of his body.
I guess maybe some people think she’s there and willingly submitting to becoming part of the clay? But, no, that wasn’t her. Just Matt’s very active imagination.
So there’s the simple answer. But there is some thematic nuance here, if you’re interested in reading about that.
Matt Hagen’s character arc is about identity and morality. If we stop looking at the plot as literal and start looking at it as representative, then Matt being an actor embodies that theme. The profession signals to the audience that Matt is performing. Who we meet at the beginning of the film may not necessarily be the “real” Matt Hagen so much as the celebrity version of him that he presents to the world.
Clayface initially presents Hagen as this nice, considerate, down-to-earth famous person. But then he knowingly sleeps with Markos Szabo’s girlfriend, dismissing the relationship when Corey brings it up with a douchey line about how tonight she’s not with Szabo. That action tells us Matt is an uglier person than we initially thought. The subsequent attack by Szabo that disfigures Matt turns that idea of Matt being ugly into a literal, physical thing.
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And the film reinforces Matt’s shady character when it implies the stories that came out in the media weren’t planted by Szabo but uncovered by Frank, Matt’s former manager, after Corey tipped him off. So pre-fame Matt Hagen wasn’t necessarily the kind, smiling person we saw before the accident.
So prior to the injuries, Matt could present an idealized version of himself to the world, even if that version wasn’t necessarily who he was on the inside. The injuries destroy the illusion by making his outer appearance a reflection of his character. The nanobots extend this idea, as they react to his ugly emotions. His physical form continuously reflects his morality. If he really was the person he pretended to be, there’s probably a path where the nanobots work as he hoped they would and he could live happily ever after. But he’s not that person. And the monstrous emotions in his heart define his final appearance.
It’s one thing for him to get revenge on the people who wronged him, like Frank, Corey, Szabo’s crew, and Szabo. It’s another to go after Detective Borrelli. That crossed a line, as Borrelli was an actually decent person who hadn’t done anything to hurt Matt. Matt’s the one actively ruining Borrelli’s life by pursuing Caitlyn. That’s what turns him from a sympathetic anti-hero into a true villain.
So after Matt crosses that line with Mia, we get that first look at how “ugly” he is. Once he crosses the next line with Caitlyn and Borrelli, he stops being “Matt Hagen” altogether and ends the film as the giant mud pie that is Clayface.
He actually ends how he started: acting. Except his outer self now matches his inner self. But he’ll continue to use his powers to attempt to live in a false reality. Whether that’s hiding his own appearance by looking like other people or creating a fake Caitlyn who professes her love for him.
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