The confusing story of Blue Velvet explained
How David Lynch explores the horrors and wonders of nostalgia
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Colossus Archive
Page 66 of 68
Warner Bros
Exploring why Lights Out was more popular than The Babadook and why the two are siblings
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MGM and Warner Bros
Explaining the thematic development and goodness of Creed by using examples from T.S. Eliot, Jay-Z, Kendrick Lamar, Fight Club, The Untouchables, and Battleship Potemkin
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Allstar/Lionsgate
Explaining the end of The Big Sick
Why Kumail Nanjiani's film shares some similarities with The Graduate
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Samuel Goldwyn Films
How Vintage Tomorrows defamiliarizes sci-fi fan culture
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Universal
Explaining the ghost metaphor in Crimson Peak and why it’s sort of lackluster
Featuring: Are You Afraid of the Dark, The Grudge, and Pan's Labyrinth.
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20th Century Fox
The Martian and why Mark Watney’s lack of love interest is the best thing for science. Also: Neil deGrasse Tyson.
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Lionsgate
What does the title mean in Allegiant?
How Tris's journey has shaped the titles for each film in the Divergent series
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Miramax
The case for each “father” in Bridget Jones’s Baby
Is it Mark? Is it Jack? Does it even matter?
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J.R. Cooke/Samuel Goldwyn Films
Was Rudderless based on a true story?
Fox Searchlight Pictures
Explaining the end of Three Billboards Outside Ebbing Missouri, the theme of moral ambiguity, how endings inform the story, and whether or not Mildred kills the soldier
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