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What is The Whale about?
The Whale is a reflection on guilt, consequences, self-deceit and the power of honesty. Specifically the way in which these things can erode someone’s life. For Charlie and Liz, it’s the loss of Alan. For Alan, it was feeling abandoned by his father. Ellie, Charlie’s daughter, also feels abandoned by her father. And Thomas stole from his church, ran away, and is too scared to look back. We see how easy it is for each of them to lie to themselves about the pain they feel. They fall back on distraction. It’s only once they start being honest with themselves, with one another, and with others, that any progress is made.
Movie Guide table of contents
Cast
- Charlie – Brendan Fraser
- Ellie – Sadie Sink
- Mary – Samantha Morton
- Liz – Hong Chau
- Thomas – Ty Simpkins
- Written by – Samuel D. Hunter
- Directed by – Darren Aronofsky
- Based on the play – The Whale
The ending of The Whale explained
Recap
The ending of The Whale begins when Thomas comes over and tells Charlie that he, Thomas, is going home thanks to Ellie. The conversation takes a turn when Thomas tries to “save” Charlie. Charlie pushes back on the idea of God and an afterlife and explicitly states his shame, guilt, and frustration with himself over his weight.
The next day, he tells his online class that he’s been replaced. This is the consequence of posting an assignment to be honest where he used cuss words. During this “last lecture”, Charlie makes a big point about honesty and being yourself. This culminates with him turning on his facecam for the first time, revealing to the class what he looks like. Some are shocked. Some are awed. Some are concerned. Embarrassed. Stunned. “These assignments don’t matter. This course doesn’t matter. College doesn’t matter. These amazing, honest things that you wrote, they matter.” As a sign off, he throws his laptop across the room. It breaks.
Liz shows up with food. Charlie doesn’t look good. He’s audibly wheezing. These two now have their final talk. Liz is upset at the revelation that Charlie has over $100,000 in the bank he’s refused to use to get himself medical help. She compares what happened with Alan dying from not eating to Charlie dying from overeating. “I can’t do this anymore.” Charlie says he told Alan he didn’t need anyone else, not God, not anyone else. Liz says, “I don’t think I believe anyone can save anyone.” Which leads to Charlie talking about Ellie and Thomas. “Do you ever get the feeling that people are incapable of not caring? People are amazing.”
Ellie bursts into the house and confronts Charlie about the essay he gave her. It received an F. When she finally reads it, she realizes what it is. It’s an essay she wrote in eighth grade English class. It’s the whale essay Charlie has obsessed over since the opening of the movie. Charlie apologizes to Ellie. He breaks down Ellie’s own self loathing. “This essay is you.” He tells her she’s perfect, that she’ll be happy, that she cares about people. His condition quickly deteriorates. Charlie begs her to read the essay. Ellie’s about to go but opens the door and bathes herself and the room in light. She says, “Daddy, please.” Then turns and begins to read the essay.
Charlie calms. Suddenly motivated, he rolls, he struggles, he stands. He steps. He steps. Closer and closer to Ellie. He flashes to a day of being back at the beach. His feet in the water. Ellie and Charlie share a moment. Then Charlie’s feet lift off the ground, he gasps, and ascends. We get a final wide shot of him on the beach, standing in the surf, young Ellie behind him. It’s a bright, lovely, picturesque day.
Meaning
There’s a good amount going on here, narratively and thematically.
Charlie’s death
First and foremost, the obvious implication is that Charlie dies. But how should we take his feet lifting off the ground? The flash of light? The final shot? The Whale had been a very grounded, realistic movie. But that ending brings in aspects of the surreal.
There’s an argument to be made that it’s a subjective visual. At that moment Charlie has a sense of peace. He reconnected with Ellie in a major way, breaking through the angry wall she had kept up for so much of the movie. To Charlie, his death isn’t this bleak, horrendous thing. It’s transcendent. The visual supports his sense of the weight lifted from his shoulders, and the grace and peace he feels. It’s similar to the end of Iñárritu’s film Birdman or scenes in Tár. In both those films the filmmaker allows the main character’s subjectivity to influence the film’s form. Aronofsky isn’t a stranger to this tactic, employing similar techniques in The Fountain and Black Swan. The benefit of the subjective visual is that you can do dynamic things with it. The con is how subjective moments can create confusion around how literally something should be viewed.
On the flip side of the subjective visual is the literal visual. In Birdman, we’re not supposed to believe the main character has telekinetic powers and can fly. It’s surreal subjectivity. But in Justice League, yeah, those things are literal. The Fountain, subjective. Inception, literal. Fight Club, subjective. Eternal Sunshine of the Spotless Mind, literal. Mulholland Drive, incredibly subjective. Hereditary, literal.
The literal visual means that what we see has to be taken at face value. It’s not metaphoric. Like all the transcendent, crazy stuff we see in The Fountain is just a way to demonstrate the grieving process. It’s not literally what Hugh Jackman’s character does. But representative of his journey. In Inception, everything that happens is what happened. The dream-sharing isn’t some euphemism. The memory erasure in Eternal Sunshine is not merely a representation of getting over an ex. It’s a “real” procedure the character’s going through.
So in The Whale, if we read the ending as literal, then we have to try to explain how Charlie leaves his feet. What the flash of light means. And what that last image on the beach is. The clear, primary answer is that it’s a confirmation of God. That at the moment of his death, Charlie has this divine moment, a kind of personal rapture, as his soul leaves his body. Faith is one of The Whale’s major themes. Thomas embodies that theme. His belief and quest to save Charlie creates a means by which the narrative can explore Charlie’s relationship with religion. It’s not a coincidence that the arc between those characters ends with Charlie decrying God, hoping there isn’t an afterlife. That conversation happens when it happens for a reason.
The nuance here would be that Thomas thinks Charlie must atone for his sexuality. Something Charlie rightfully rejects. If Thomas was right, Charlie shouldn’t have such a divine conclusion. Instead of a light turning on, you’d expect a descent into darkness. It seems the atonement Charlie needed to make was with Ellie. Having done that, he’s redeemed.
It probably doesn’t matter whether the end is surreal or literal. Either way, the point is the same: guilt, fear, and shame can lead us down a dark path where we lie to others and ourselves. If you walk that path, you’re damned. Through honesty, we find redemption. We improve our relationships. We liberate the mind, body, and soul. And it’s never too late to give yourself and those you love that closure. Thomas had the right idea in that it wasn’t too late for Charlie to be saved. But Thomas was wrong in what that meant. And how to apply it. As Liz says, “I don’t think I believe anyone can save anyone.” The Whale makes the point that others can’t know what we need. What will save us. Especially not a random niche religious off-shoot. Only you know what you need to do. If you’re honest with yourself, the answer is clear. If you’re not honest, then it won’t be easy.
Ellie and her essay
We never hear the end of Ellie’s essay. It always cuts off at the same point: This book made me think about my own life, and then it made me feel glad for my…
While objectively we don’t know what Ellie says next, the visuals seem to imply the last word is “dad”. Just in the way that Charlie walks over to her. How she walks up to him. That when she reaches that point we see a shot of Charlie and he smiles. It cuts back to Ellie and she looks at him and smiles. It would also make sense why Charlie cherished that essay so much. Because it’s the one physical reminder he has that his daughter loved/loves him. She was glad for him.
Whether she says “Dad” or not at the end of the essay, the important thing is that it ends with Ellie being glad. That embodies her narrative arc. She starts off so angry. She’s mean to everyone. Her own mom calls her evil. The implication is that she’s so upset about Charlie leaving that she’s been taking it out on everyone else. There’s a lot of fear of abandonment and self-loathing. Charlie slowly breaks down that wall. He keeps telling Ellie she’s amazing. She’s beautiful. Smart. Perfect. Even at the end. He’s adamant about the good in her. That she can be happy. He even says that she is that essay. The essay is ruminative, serious, slightly sad. But it builds to a point of finding joy. And the hope is that Ellie herself will now be able to do the same.
The beach?
Near the end of The Whale, Charlie and his ex-wife, Mary, get to reconnect. It’s not always pretty but it is cathartic. Eventually, they end up sitting next to each other. Mary lays her head on Charlie. They share a moment. Then Charlie begins to reflect.
When Ellie was little, when we took that trip to the Oregon Coast together, Ellie played in the sand and we laid out on the beach. I went swimming in the ocean. That was the last time I ever went swimming actually. I kept cutting my legs on the rocks. The water was so cold. And you were so mad that my legs bled and stained the seats in the minivan and you said for days after that I smelled like seawater. You remember that?
It’s not a profound moment. Nor a perfect moment. But it is a time Charlie remembers fondly. Through that subjective lens, it would represent simply a time of peace and potential. It’s probably one of many happy memories Charlie would die with. through the literal lens, it would imply something more heavenly, something afterlife-y.
Zooming out from the narrative reasons, two things come to mind. First, most of The Whale is very interior. Aside from the opening shot, the entire movie takes place in Charlie’s house or on his front porch. There’s a claustrophobia to the mise-en-scene. That also influences the color palette. The Whale is a very muted film, full of grays and shows. Typically, art finds the most power through escalation or contrast. So if a story starts in a sad place, the most powerful ending is either complete desolation or a true reversal of fortune. Often you build up the potential of the story going either way. The movie Atonement is a good example of this. It sets up the romance between Kiera Knightly and James McAvoy. But they’re separated by war. You spend the movie uncertain if they will or won’t end up together. The eventual conclusion is insanely emotional.
For The Whale, if it was going to have a negative ending, we’d expect it to double down on the claustrophobia and color palette. It would take those things to the extreme. But since it goes for a positive ending, it embraces aspects of contrast. Which is why when Ellie opens the door it’s such a surprising moment. For her, for Charlie, for the viewer. The light. The air. The sense of space. It’s lovely. The beach is about as opposite from Charlie’s apartment as it gets. It’s open. It’s bright. It’s full of energy. It’s also a time when Charlie had his family. All things that have been missing from his life.
So ending with the beach just has that visual energy that leaves the viewer with a better feeling than seeing Charlie on the floor of his house.
Of course, the movie’s also called The Whale and wants us to use that as a metaphor for Charlie. Not just in terms of his physical size. But as it relates to Ellie’s essay. Given the association with whales and the ocean, ending with Charlie on the beach feels like a way to try and visually connect person and cetacea.
The themes and meaning of The Whale
Guilt, grief, control, fear.
Deep into The Whale we find out that Charlie’s boyfriend, Alan, passed away from complications arising from starvation. The starvation was a direct consequence of a falling out between Alan and his father, the leader of the New Life church. When Alan lost his father, he also lost his faith. The existential backlash caused a depression that manifested in a lack of appetite. Both Charlie and Liz (Alan’s sister) struggled to motivate him. Alas, nothing worked. Alan eventually passed away.
Charlie and Liz both suffered with guilt, grief, and a lack of control. A person they loved very much is gone. It’s easy for them to blame themselves for their inability to save Alan. Could they have said more? Done more? It’s easy to imagine them caught in a cycle of what ifs. The lack of control they felt in regard to what happened with Alan ends up manifesting around their relationship with food. Charlie begins to overeat, as if eating for both Alan and himself. While Liz facilitates Charlie’s gorging by bringing him food. Even though she knows what Charlie’s doing is unhealthy, she gives in because of everything that happened with Alan. She can’t abide someone being hungry. Even if it kills them.
These same emotions plague Ellie and Thomas, too, just in different ways and for different reasons. Ellie is angry about Charlie’s disappearance from her life. The pain of losing her father has made it hard for her to form and maintain relationships. Her form of control is to distance herself before others can distance from her. Or even push them away through insults and disturbing behavior. For Thomas, he also had conflict with a parent. In trouble for smoking too much pot, his father forced Thomas to go on a mission. He went but was upset by the mission leader only wanting to hand out pamphlets. It was too little. Thomas ended up stealing $2,436 from the mission and running off to do his own work. Which is what brought him to Idaho. Does he want to be there? No. But he’s also too scared to go back home.
The lies we tell ourselves
Charlie, Liz, Ellie, and Thomas all find ways to justify their behavior.
For Charlie, he convinced himself that no one would want to be around him. This is why he keeps his camera turned off while teaching online courses. It’s how he reasoned staying out of Ellie’s life. And it fuels his eating. Because the more he eats, the more he can defend running away from any kind of accountability or confrontation.
Liz is in a similar boat. She knows Charlie isn’t doing well. But he’s the only attachment to her brother that she has left. By feeding Charlie, it’s like she’s feeding her brother. She could put her foot down. Maybe she used to. Maybe there was a time she didn’t bring him two meatball subs with extra cheese or an entire large bucket of KFC? Maybe she used to try to get him to exercise? But it became easier to not fight him. She’d rather enjoy that part of Charlie that reminds her of her brother and gives her a sense of comfort rather than put her foot down and do what’s best for Charlie’s health.
Ellie yells and screams that she wants nothing to do with Charlie. She says a lot of horrible things about him. Not just to his face but on social media. Yet she keeps coming back to his house. Ostensibly, it’s because he’ll do her homework and give her $120,000. But really it’s because she truly does want a relationship with her father. It’s just hard for her to work through those emotions. She’s been upset with him for so long that the process of forgiveness isn’t easy. And you can imagine there’s part of her that wonders if she did something to cause her dad to leave. By continually threatening to go, she causes Charlie to, over and over again, declare he wants her around. Slowly, she begins to believe it.
And then Thomas lies about being from New Life and on a sanctioned mission. He ran away because he messed up and is scared to face the consequences. What will his father say? What will his church do? Will he go to jail? Will his family abandon him? To prevent that, he, much like Ellie, abandons them first. He tells himself and others that it’s the mission that’s important. But the minute he has an opportunity to go home: he does. That says a lot.
The Whales
The Moby Dick essay that Charlie’s so obsessed with is something Ellie wrote four years earlier.
In the amazing book, Moby Dick, by the author Herman Melville, the author recounts his story of being at sea. In the first part of his book, the author, calling himself Ishmael, is in a small seaside town and he is sharing a bed with a man named Queequeg. The author and Queequeg go to church and later set out on a ship captained by a pirate named Ahab, who is missing a leg, and very much wants to kill the whale which is named Moby Dick, and which is white.
In the course of the book, the pirate Ahab encounters many hardships. His entire life is set around trying to kill a certain whale. I think this is sad because this whale doesn’t have any emotions, and doesn’t know how bad Ahab wants to kill him. He’s just a poor big animal. And I feel bad for Ahab as well, because he thinks that his life will be better if he can just kill this whale, but in reality, it won’t help him at all.
I was very saddened by this book, and I felt many emotions for the characters. And I felt saddest of all when I read the boring chapters that were only descriptions of whales, because I knew that the author was just trying to save us from his own sad story, just for a little while. This book made me think about my own life, and then it made me feel glad for my…
There are a number of resonances with The Whale. It helps to look at these not through the lens of “Why did Ellie write this?” but in terms of “Why did the filmmakers include this? What are they trying to say to the viewer?” First, the reference to Ishmael and Queequeg sharing a bed is reminiscent of Charlie and Alan. The reference to church brings us back to how much religion is a part of the film. Then the way in which Ishmael’s “entire life” is dominated by this one thing. Lastly, it’s the idea of the author attempting to “save us from his own sad story” through the descriptions of the whales.
As Ellie says, “This book made me think about my own life…” We’re supposed to do the same with the film. Each of us probably has some whale that shapes our life. And other whales we use save others, even ourselves, from the saddest parts of our story.
To put it another way: you have some guilt, some fear, that influences you, that causes you to seek control in ways that can often be detrimental. Maybe not to the extreme we see with Charlie. But problematic nonetheless. This can be minor like procrastinating on mundane things like laundry, texting back, being on time, going to bed, looking for a new job, etc. You get to it eventually, but not in a way that allows you to feel ahead of the curve rather than behind. Or it can be as large as neglecting responsibilities completely, abandoning relationships, hoarding, overconsumption of food and/or alcohol, etc.
We all have some kind of Moby Dick that shapes up. And we all have the boring chapters about whales that distract us and others from the problems in our lives. They are the excuses we make. The lies we tell.
Honesty
There’s irony to how much Charlie keeps harping on Ellie and his students about being honest. At first, it feels like the basic sort of thing an English professor would want. Artists often talk about the need for honesty in the work. But as we learn more about Charlie, we realize how dishonest he’s been. To his students. To Ellie. To Liz. To his ex, Mary. And to himself.
While he’s the one who’s the most vocal about honesty, the theme is a major part of Thomas’s character arc. He’s not really from New Life. He’s lied to Charlie, Liz, and Ellie. But finally comes clean to Ellie about his addiction to weed, the resulting fallout with his father, going on a mission as punishment, then stealing money and running away. He doesn’t know what he’s doing. He’s just trying to help someone, anyone, so he can tell himself everything that happened had some kind of meaning. He’s desperate for that sense of catharsis. It’s similar to Charlie saying, “I need to know that I have done one thing right with my life!” But he’s at a far later stage than Thomas.
What happens with Thomas? In his own words: “And your daughter, she took these pictures of me smoking pot, and a recording or something like that, and she found my church in Waterloo somehow, and then she sent it to them, and they sent it to my parents. And you know what they said? ‘It’s just money.’ And they forgive me. And they love me, and they want me to come home. How awful is that? I can’t tell if she was trying to help me or hurt me or…I’m going home tomorrow.”
Ellie facilitated an honest conversation between Thomas, his church, and his parents. The very thing Thomas had been avoiding. He hadn’t wanted the confrontation, the consequences. Because he feared the worst. But the reality wasn’t so bad. Honesty gave him a path back home.
We see a similar thing with Charlie and Ellie. Charlie spent years hiding from Ellie because he didn’t want to be honest with her about what he looked like now. And he didn’t want to have the inevitable confrontation about his leaving with Alan. But knowing he only had such a short time left to live, he made the effort, finally. And, yes, Ellie was mean, cruel, petty, and in some ways evil. But she was also there. And simply being there gave father and daughter an opportunity to heal. If only he had done this years earlier, what would have happened? Would Ellie be the angry person she is? The “evil” person Mary describes? And would Charlie still be so large? Would he have had the capacity to forgive himself for what happened to Alan? Would he be in a much better place?
The end of the movie seems to imply that, yes, by being honest, Charlie finally finds some form of redemption.
Why is the movie called The Whale?
The most obvious application of the title is the size of Brendan Fraser’s character, Charlie. He is an immense man. Narratively and thematically, his obesity is a primary point of concern. Given the film is a character study, the title of The Whale seems like a poetic alternative to something more mundane like Charlie. It grounds us in the literary “what” rather than the more straightforward “who”.
But there’s more to it than that. In the film itself, references to “the whale” have nothing to do with Charlie or his size. They originate with an essay written by Ellie.
In the amazing book, Moby Dick, by the author Herman Melville, the author recounts his story of being at sea. In the first part of his book, the author, calling himself Ishmael, is in a small seaside town and he is sharing a bed with a man named Queequeg. The author and Queequeg go to church and later set out on a ship captained by a pirate named Ahab, who is missing a leg, and very much wants to kill the whale which is named Moby Dick, and which is white.
In the course of the book, the pirate Ahab encounters many hardships. His entire life is set around trying to kill a certain whale. I think this is sad because this whale doesn’t have any emotions, and doesn’t know how bad Ahab wants to kill him. He’s just a poor big animal. And I feel bad for Ahab as well, because he thinks that his life will be better if he can just kill this whale, but in reality, it won’t help him at all.
I was very saddened by this book, and I felt many emotions for the characters. And I felt saddest of all when I read the boring chapters that were only descriptions of whales, because I knew that the author was just trying to save us from his own sad story, just for a little while. This book made me think about my own life, and then it made me feel glad for my…
Two key takeaways from this essay, The first is the dynamic between Ahab and Moby Dick. The second is how Ellie interpreted the descriptions of whales.
Regarding Ahab and Moby Dick, notice how Ellie says Ahab’s “entire life is set around trying to kill a certain whale.” And how the whale is completely oblivious to it. When you look at the characters in the film, each of them has their own white whale that haunts them and influences their life. For Charlie and Liz, it’s the death of Alan. For Alan, it was his father’s rejection. For Ellie, it’s feeling abandoned by Charlie. For Thomas, it’s fear of judgment from his family and former church. Really, all of them are dealing with guilt. Guilt and fear.
That brings us to how the descriptions of whales equate to the author “trying to save us from his own sad story”. That description demands we reconsider what the title means. Clearly there’s more to it than Charlie’s size. Rather, it seems to refer to the stories we tell others, or even ourselves, to spare them from our feelings and emotions. In other words: our guilt and fear cause us to distance ourselves from others. Rather than letting them see us for who we are, rather than letting them in and letting them help us, we look to save them from our weaknesses.
This is exactly what we see with Charlie. He keeps his facecam off so his students don’t have to look at him. He refuses to see his daughter or ex. He doesn’t leave his house. All because he wants to protect others from seeing him. We hear the lies he tells. ONe of his first lines of dialogue is “And, yes, the camera on my laptop still doesn’t work.” It does. He’s just not being honest.
What we see between the start and end of The Whale are a bunch of characters who weren’t being honest with themselves in some way or another. And they’re dishonestly presenting themselves to others. By the end, they all start coming clean and being more true to who they are. Warts and all.
So the title The Whale refers to, I believe, not just Charlie, but these stories we tell to distract others. And the grief and fear that cause us to do so.
Important motifs in The Whale
Confinement
99% of The Whale is spent in Charlie’s house. It’s dim, messy, and sad. There are some weak, orange-bulb lamps. Some windows. But the curtains are drawn. So the characters and viewer are crammed into this space for nearly two hours. Psychologically, it creates a sense of claustrophobia and pressure that lends itself to the viewer experiencing tension. Most of us don’t know what it’s like to be the size Charlie is, but we can identify with that sense of mental and physical stagnation and confinement.
Light and space
It makes sense then that at the very end of the movie that light becomes a powerful motif. The turning point between Ellie and Charlie happens after Ellie opens the front door and fresh air and sunshine flood the room. She reads her whale essay to him and we have these close ups of them washed in this light. And when Charlie dies, a bright light blossoms around him. The last shot of the beach is also very bright and open and seems to be symbolic for either a literal afterlife or just the final sense of peace Charlie has as he passes. Either way, its a stark contrast to the house that had become so much like a jail cell.
The essay
Charlie holds the whale essay in high regard. At first, it seems like that’s just because it’s a simple, well-written, honest essay. A thing any teacher might have a soft spot for. Eventually, we find out the essay is something Ellie wrote four years earlier and Mary sent it to Charlie. So there’s the personal connection to it as well. It reminds him of Ellie. It has been, for eight years, his sole link to Ellie. When he hears it, he hears her. It also serves Charlie as a kind of compass. When Ellie returns to his life, she’s incredibly mean. Brutal. Mary even describes her as evil. Charlie rejects that. He’s convinced there’s more to Ellie. That she not only can be better but is better. That’s because of the essay. For Charlie, the essay is Ellie being honest. While everything else is performative, a consequence of the pain she doesn’t know what to do with. It’s acting out. It’s through the essay he seems to break through to her and, hopefully, change her future for the better.
Food and more
Alan starved himself. It got bad. Both Liz and Charlie watched this person they loved whither. Eventually, Alan jumped off a bridge. The entire experience changed the relationship Charlie and Liz had with food. For Charlie, he started overeating. While Liz, a caregiver, started overfeeding. Even though they knew what they were doing wasn’t good, it provided both a sense of comfort and control. So they lied to themselves about how bad it was. This mutual enablement was a coping mechanism that represents an inability to process grief, guilt, fear, and anger in a healthy way.
The facecam
Charlie has his facecam turned off when he teaches the online courses. He knows how shocking his appearance is. So he lies and says his camera is broken. In that way, he spares his class from having to look at him. The camera being off becomes the embodiment of not being honest with yourself or others. This false presentation that allows us to get through each day. Charlie turning the camera on becomes symbolic of finally getting honest with himself. It’s only by being honest that he can find peace before death. It’s just a shame he waited so long. Otherwise, he might have never been in such a dire place to begin with. That’s why he’s so adamant that Ellie and his students embrace honesty sooner rather than later.
Questions & answers about The Whale
Is Ellie really evil?
I don’t think Ellie’s evil in the way that Michael Myers is evil, though Mary seems to think so. But Ellie is very cruel. Her Facebook post about Charlie is pretty mean. Her breaking the plate that has the bird food—jerk move. Her taking the video of Thomas and sending it to his church—terrible.
Thematically, though, there’s more going on. The Whale explores ideas of honesty and deceit. Especially self-deception. So even though you can perceive what Ellie’s doing as cruel, she’s often cutting through the lies we tell others and ourselves and getting at the truth of a situation. Which can hurt and create conflict. But as we see: that conflict is sometimes the thing we need the most to move beyond stagnation.
What is the opening scene?
It’s Thomas getting off the bus from Iowa and deciding to start his missionary work.
Is The Whale connected to other Aronofsky movies like The Wrestler or Black Swan?
Narrative-wise, absolutely not. But there are similar themes. All three of those films end with the main character giving their life in some cathartic final act. It’s just The Wrestler and Black Swan focus on performance and the demands of high performance. The Whale doesn’t share that concern. With that said, all three movies deal with parent/child relationships, redemption, and self-destruction. And all end in very similar ways. So there is a conversation to be had, especially in terms of Aronofsky’s filmography. I just don’t think The Whale should be looked at as part of a thematic trilogy with Black Swan and The Wrestler.
Now it’s your turn
Have more unanswered questions about The Whale? Are there themes or motifs we missed? Is there more to explain about the ending? Please post your questions and thoughts in the comments section! We’ll do our best to address every one of them. If we like what you have to say, you could become part of our movie guide!
