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Street Fighter is a fun movie that doesn’t forget about developing themes. I appreciated that. Sure, the themes aren’t super deep, but they’re present. A lot of sites will probably focus more on the film’s plot mechanics and how this entry is essentially an M. Bison prologue that sets up a larger Street Fighter story. So I’m going to take the time to breakdown the thematic stuff that Street Fighter’s doing.
There are three thematic aspects that Street Fighter focuses on.
The film’s three main protagonists—Ryu, Ken, and Chun-Li—as well as its two villains—M. Bison and Akuma—all pursue something they believe will fulfill them.
For Ken, it’s proving he’s better than Ryu. Chun-Li wants to bring Bison to justice for killing her father. Bison plans to harness Ryu’s power. And Akuma desires to fight a Dark Hadou-infused Ryu.
Ryu is post-pursuit. Street Fighter opens with Ryu’s tournament fight with Sagat, where his pursuit of victory causes him to tap into the Dark Hadou. Yes, Ryu technically wins the match, but the manner in which he does brings about the death of Gouken, a falling out with Ken, and his walking away from martial arts altogether.
Each ends up confronting what they want, only to realize it’s not what they hoped it would be:
Street Fighter grounds actions in terms of light and dark. Gouken and Akuma embody that larger existential concept. Gouken walked a path of light, while Akuma gave himself to the darkness.
Bison is like Akuma, which is why his character arc culminates with his abduction of Akuma in order to harness the demon’s power.
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But Ryu, Ken, and Chun-Li all make choices that steer them away from darkness and towards the light.
I do appreciate that the film gives Ryu a literal version of darkness (the Dark Hadou) while keeping Ken grounded. With Ken, we see what giving in to darkness actually looks like in real life. Ryu’s version is the movie version that helps us see something that’s usually completely intangible and existential.
Gouken’s instruction for Ken was to protect Ryu. Ken thought that was absurd. Why would Ryu need protection after proving himself the best fighter in the world? Ken’s only thinking in terms of physical threats, not the whole existential side of life.
What Gouken’s instruction tells us is that Ryu needs Ken for emotional support. What we see play out over the film is that Ken also needed Ryu. That’s just like how Chun-Li, in order to take down Bison, realizes she needs to work with others.
This is why the film ends with all the heroes in the car together. Ryu, Ken, Chun-Li, Dan, Guile, and Dhalsim. Individually, they couldn’t accomplish much. But together, anything is possible. That’s the ultimate expression of what Gouken tried to teach Ken.
Bison is the antithesis to this. He has no friends. Rather, he’s surrounded by subordinates. Most fear him. Others idolize him. Either way, he’s alone. There’s no one who can challenge him and talk him down from his darkest impulses the way Ken, Dan, and Chun-Li do for Ryu. And in that loneliness, Bison leans into megalomania and madness. He’ll destroy to get what he wants. Where the heroes learn how to protect one another. To, yes, rely on the power of friendship.
As Gouken says, “Greatness isn’t always found in the ring.” Being a good person, a good friend. That can be greatness.
Selflessness gets you further than selfishness. We see that demonstrated clearly when Ryu fights Blanka. Ryu has the chance to win the fight by Hadoukening poor Blanka. Instead, he uses the blast to blow through the walls so Blanka can escape. That selfless act is what makes it possible for Blanka to save Ryu later.
Strength isn’t really a bad thing. It’s how someone uses their strength that matters. Is it for yourself or for others?
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