Colossus Archive
Page 71 of 73
Meet Matthew Puccini, writer/director of The Mess He Made
The confusing story of Blue Velvet explained
How David Lynch explores the horrors and wonders of nostalgia
Exploring why Lights Out was more popular than The Babadook and why the two are siblings
Explaining the thematic development and goodness of Creed by using examples from T.S. Eliot, Jay-Z, Kendrick Lamar, Fight Club, The Untouchables, and Battleship Potemkin
Explaining the end of The Big Sick
Why Kumail Nanjiani's film shares some similarities with The Graduate
How Vintage Tomorrows defamiliarizes sci-fi fan culture
Explaining the ghost metaphor in Crimson Peak and why it’s sort of lackluster
Featuring: Are You Afraid of the Dark, The Grudge, and Pan's Labyrinth.
The Martian and why Mark Watney’s lack of love interest is the best thing for science. Also: Neil deGrasse Tyson.
What does the title mean in Allegiant?
How Tris's journey has shaped the titles for each film in the Divergent series
The case for each “father” in Bridget Jones’s Baby
Is it Mark? Is it Jack? Does it even matter?